Affinity Designer doesn’t have any file size limits, and although working with huge files may slow down the processing speed a bit, you can create huge files with unlimited vector and raster layers.īecause you can work with vectors, you can easily make changes to the colors, sizes, and textures of your images without losing image quality. This means that if you want to create large work for print on demand companies or client work, you are stuck with a desktop program. I show the whole process for setting up your canvas in the class, so check it out if you want to see how I set up my canvas.ĭepending on your iPad version, most programs cap your file size limit at around 8000 x 8000 pixels, and in Procreate that only allows you to use 4 layers. This is great for beginners (it prevents you from putting your repeat elements in the wrong place) and experts (it helps you avoid making your pattern blocky and predictable). When you create a seamless repeat pattern in Affinity, you can set up a live preview of your repeat, so you can keep an eye on the pattern in repeat as you create it. Here are a few things I love about Affinity Designer: Rather hear all this in video form? Check out my class on Affinity Designer: I show how I get around this issue in my new class. While they haven’t developed that functionality within the program yet, there are several paid and free apps that I use that are just like the image trace tool in Illustrator. You may have heard that Affinity Designer is like Illustrator, except it doesn’t have the image trace tool, so it’s not as good as Illustrator. This program has totally replaced Illustrator and Photoshop for me (goodbye subscription fees!), and it has sped up my workflow considerably because I don’t have to transfer files to another device and boot up the ol’ lap top to start working. Then I discovered Affinity Designer for iPads. Then when iPads came out and I started transitioning all of my drawing to the iPad screen, I went through the cumbersome process of converting my iPad drawings to vectors and making patterns, designs, and layouts in Illustrator and Photoshop. As you all know, in those days there was no such thing as iPad drawing, and we all just accepted desktop and laptop computers as the norm. I’ve been working in Photoshop and Illustrator since I started art school in 2005. Not because I get an affiliate bonus when you buy it (I don’t), but because I love it so much I want to share it with the iPad art and design community! Highly recommend.Spoiler: I’m going to try to convince you to get Affinity Designer for iPads. It is a really good tool for the price they're offering it at right now. Maybe start with the free NIK one and see if that works for you. In particular, if you want to use it for the raw development step and shoot high ISO, you might want to find a good noise reduction plugin to go with it. I don't really like the raw developer "persona" compared to other tools I've used, but they are still improving the product and hopefully someday that will get some attention. I use it post-Raw-conversion for layered editing (especially dodging and burning by hand), those plugins, perspective correction, panorama stitching, focus stacking (sometimes), adding mattes/borders, watermarks, text, etc. There were some bugs with some of them until the latest version of Affinity was released now they're all good. I got the free Google version of the Nik plugins to work fine. Usually what I'll do is flatten the layers I'm happy with and continue working if the slowness irritates me too much. I have a 4 year old Dell business class laptop (aka no speed demon and no fancy graphics card), and it works OK until I get about 10 layers deep and then it'll bog down.
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